Not only that but these sequences exemplify how important it is for action in films to move the story forward, as each of these scenes do illustrate for the audience and illuminate for the characters important information all parties need to know.īad Bunny as Wolf in BULLET TRAIN. Both sequences use their set space well, allow for engaging character beats, and possess a rhythm that creates a fun flow. On this, Bullet Train doesn’t disappoint, a highlight sequence being the respective one-on-one fights between Ladybug and each of the Twins, Aaron Taylor-Johnson’s Tangerine and Brian Tyree Henry’s Lemon. To be fair, audiences aren’t coming to a film like Bullet Train for emotionally moving dialogue or thoughtful subtext, they want blood, they want carnage, and a few pithy remarks along the way. So, with Leitch helming a film set inside a moving bullet train with several wetwork operatives on their own missions creating opportunities for conflict, well, the stunts more than make up for the weaknesses in other areas.
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It certainly helps that the company he founded with Chad Stahelski ( John Wick: Chapter 3 – Parabellum), 87eleven Action Design, has a team of gifted stunt people that know how to use space to craft compelling sequences. The director possesses a stunt and action choreography background, meaning that when he’s directing a scene, especially when it contains an action or stunt component, he’s particularly qualified to come at it from a unique perspective.
I’m not sure how long this phrase has been around referring to David Leitch, but I first heard it with the promo work for Fast & Furious Presents: Hobbs & Shaw: In David Leitch We Trust.
L-R: Bryan Tyree Henry as Lemon and Aaron Taylor-Johnson as Tangerine in BULLET TRAIN. Strangely, this murder at 320kms per hour action comedy may be an embarrassment of riches in the talent department, but the execution leaves one exhausted by the trip, impatient to find their stop. With a script by Zak Olkewicz ( Fear Street: Part Two – 1978) and an all-star cast including Brian Tyree Henry ( Widows), Aaron Taylor-Johnson ( TeneT), Andrew Koji ( Warriors), Hiroyuki Sanada ( 47 Ronin), Joey King ( The Princess), Zazie Beetz ( The Harder They Fall), and plenty more, Bullet Train is all but bound to hit its target on-time and on the mark. The novel is reportedly a dark humor thriller, something which fits right in Leitch’s wheelhouse given his work in Atomic Blonde (2017) and Hobbs & Shaw (2019), action films that oscillate between situational-based dark humor and outright jokes depending on the needs of the story. That’s more or less the requirement with director David Leitch’s ( Deadpool 2) latest project, hypercolored and hyperkinetic Bullet Train, an adaptation of Kōtarō Isaka’s 2010 novel Maria Beetle. Sometimes, it’s really nice to experience something so off the rails, so unrealistic, that all you can do is hold on and go along for the ride. We experience it every day: the fear, the frustration, the constantly moving goal posts. If you dig the vibe of David Leitch’s action-comedy “Bullet Train,” snag a ticket to go on unlimited home viewing rides now. Home › Recommendation › Home Release › If you dig the vibe of David Leitch’s action-comedy “Bullet Train,” snag a ticket to go on unlimited home viewing rides now.
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